“I wanted to find a possible bridge between electronic sounds and heritage music,” she says. El Mal Querer was in fact the title of her university thesis, which she wrote on the history of flamenco. Rosalía puts it down to years of studying the genre – she was only 13 when she started listening to legendary flamenco revivalist Camarón and, to put it in her own words, she has “never stopped learning”. How a flamenco singer managed to amass such a loyal following in such a (seemingly) short period of time is another story. Rosalía only began releasing music last year, but the world is listening. She’s recently started making music with Venezuelan singer-producer Arca. Just recently, Pharrell invited her to record with him in Los Angeles, while Oscar-winning director Pedro Almodóvar has cast her in his next film Dolor y Gloria, alongside Penélope Cruz and Antonio Banderas. But if the length of the queue outside her first UK show is anything to go by, she’s doing something right. Yet Rosalía does not fit into the typical mould of pop stardom, and releasing a flamenco-inspired record on a major international label is no easy feat. Her latest album, El Mal Querer, released today on Universal, shows Rosalía as a full-blown showman: the high-budget music video for single “Malamente”, which has amassed over 23 million views on YouTube (nearly half the population of Spain), has the polished glamour and slick choreography of a Beyoncé video.

The Barcelona-based musician is already a household name in her native Catalonia, a flamenco revolutionary who is revamping the age-old tradition for the younger generation. Flanked by a flock of backing dancers, the 25-year-old flamenco singer, clapping her hands like castanets, has all the passion and posture of a traditional Andalusian artist, wearing an all-red and tasselled outfit that follows the movements of her arms. Romeo Santos, Drake - Odio (feat.It’s a Wednesday night at London’s Village Underground, and Rosalía is waving a long, freshly diamanted finger at the crowd. Julieta Venegas, Ana Tijoux, Rubén Albarrán - Vuelveĩ9. Banda MS de Sergio Lizárraga - Solo Con Verteĩ4. Lin-Manuel Miranda, Artists for Puerto Rico - Almost Like Prayingĩ3. Monsieur Perine, Vicente Garcia - Nuestra Canciónĩ2. Dj Luian, Mambo Kingz, De La Ghetto, Arcangel, Ozuna, Anuel Aa - La Ocasiónĩ1. Enrique Iglesias, Descemer Bueno, Zion & Lennox - SUBEME LA RADIOĨ9. Niña Dioz, Lido Pimienta, Ceci Bastida - TambaleaĨ6. Maluma, Trap Capos, Noriel, Bryant Myers, Juhn - Cuatro BabysĨ5. Calle 13, Totó La Momposina, Susana Baca, Maria Rita - LatinoaméricaĦ3. Jennifer Lopez, Gente De Zona - Ni Tú Ni Yo (feat. Cardi B, Bad Bunny, J Balvin - I Like Itĥ9. Major Lazer, Anitta, Pabllo Vittar - Sua Caraĥ8. DJ Snake, Selena Gomez, Ozuna, Cardi B - Taki Takiĥ6. Hello Seahorse! - No Es Que No Te Quieraĥ3. Los Angeles Azules, Natalia Lafourcade - Nunca Es Suficienteĥ2. Gente De Zona, Marc Anthony - La Gozadera (feat. Bocafloja, Veronica Ruiz de Soultik - LuzĤ9. Natalia Lafourcade, Los Macorinos - Tú Sí Sabes QuerermeĤ4. Nio Garcia, Casper Magico, Bad Bunny, Darell, Ozuna, Nicky Jam - Te Boté (Remix)Ĥ0. Wisin & Yandel, Jennifer Lopez - Follow The Leaderģ8.

Ximena Sarinana - Sin Ti No Puede Estar Tan MalĢ8. Enrique Iglesias, Nicky Jam - El PerdónĢ5. 3BallMTY, América Sierra, El Bebeto - InténtaloĢ0. Ricky Martin, Natalia Jiménez - Lo Mejor de Mi Vida Eres Túġ7. Michel Teló - Ai Se Eu Te Pego! (Ao Vivo)ġ4. Calle 13 - Baile De Los Pobres (Album Version)ġ3. Camila Cabello, Young Thug - Havana (feat. Enrique Iglesias, Descemer Bueno, Gente De Zona - BailandoĠ3.

The urbano movement-the trap, hip-hop and new reggaetón now synonymous with Latin pop-disrupted the music industry with “Despacito”, which changed the entire game when it became the most streamed-song in internet history.Ġ2. But the biggest success story of the decade was reggaetón’s second awakening, fronted by the likes of J Balvin, Ozuna and Maluma, who catapulted the genre to worldwide prominence. And lest anyone forget, the Mexican cumbia virtuosity of Los Ángeles Azules and Maná’s stadium pop-rock kept those well-established genres thriving. Meanwhile, Carla Morrison’s wounded pop and Natalia Lafourcade’s bolero brilliance elevated the romanticism of the singer-songwriter even higher.

In Chile, Javiera Mena’s unapologetic synth stabs sparked a disco-pop reverie across the southern continent. The decade began with the electro-cumbia craze going strong, led by Bomba Estéreo’s tropical dance movement. Latin music isn’t just a genre but a multifaceted culture that knows no boundaries, and the 2010s reflect how its wide-ranging styles branch out globally.

Rosalia malamente single mp3 320kbps